Welcome to Wet Paint in the Wild, an extension of Annie Armstrong’s gossip column wherein she gives art-world insiders a disposable camera so they can give us a peek into their corner of the madcap industry.
Back in 2019, it was hard for me to look away from artist Ondine Viñao’s Holy Fools, a video art piece I saw at the Rubber Factory that gave Bruce Nauman’s Clown Torture a run for its money. Since then, I’ve followed the artist’s often disturbing, always imaginative practice to a T, and when I heard that she was conceptualizing a new video work, I simply had to pitch her on a week in the wild with Wet Paint. Onward!
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